本帖最后由 Doris 于 2012-3-25 23:00 编辑
蔓卷结构 The site——specific installation Pulse, Tendril Formations emphasizes the manipulation of color and material as a double mechanism for the production of spatial effect. 被称为“脉动”的蔓卷结构是个特定场所的装置，强调色彩和材料的协调运用，来塑造特殊的空间效果。 The Gallery is transformed into an entirely pink landscape with winding walls, or structural tendrils made of 300 CNC lasercut sheets of thin plastic, with contoured benches coiling out of the meandering walkways. 画廊在弯曲的墙体——或者说蔓卷结构——以及沿蜿蜒走道布置的塑形长凳装饰下，完全变成粉红色的世界，蔓卷结构由300片电脑激光切割的塑料薄片拼合而成。 With pink floors and walls, the exhibition offers an environment and spatial effect of total immersion in color, atmosphere and material. 在粉红的地面和墙体的映衬下，展览沉浸在色彩、气氛和金属形成的环境和空间效果中。 The structural tendrils, formulated through mathematical computation, allow the building material to be the structure itself, without any supporting structure. 蔓卷结构实景数学计算得出的，建材自身起结构作用，不需要额外的支撑。 The structure's complexity, achieved through multiplicity, is created by the proliferation of layers of single curvature. 这个错综复杂的装置由单一曲面层层增值而构成了其多样性。 The extrusion of two-dimensional materials into a three-dimensional pattern and flow accentuates ornamentation through structure and volume without infrastructure. 装置是由二维材料挤压形成三维图案。富于流动感的形体没有支撑的基础结构，而是通过自身结构和体量强调出装饰感。 Inspired by the late 19th century nature photography of German artist Karl Blossfeldt and by the complex fabric structures of contemporaray fashion innovator Junya Watanabe, the installation investigates notions of color and form as performative elements that embeded spaces with mood and atmosphere. 该装置受到了19世纪晚期德国艺术家卡尔·布罗斯菲尔德的自然摄影以及当代潮流领军人物渡边淳弥关于复合针织物的启发，把色彩和形式的意向作为行动性元素，将情绪和气氛融入空间之中。
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发表于 2012-3-25 22:57:13
